(Ln(x))3

The everyday blog of Richard Bartle.

RSS feeds: v0.91; v1.0 (RDF); v2.0; Atom.


8:36am on Wednesday, 8th October, 2025:

Alien Ethics

Weird





Permalink.


9:59am on Tuesday, 7th October, 2025:

Cadillac

Anecdote

Yesterday, I threw out six MAD books from the late 1960s. They sell for about £3.50 each on eBay, but I have better things to do with my time than endure the hassle of eBay selling for £3.50.

I did look through them before I disposed of them, though. I found this fake advertisement amusing when I first bought the book, and still do today:



I didn't actually know what a Cadillac was until I saw this, so in that sense it was actually effective as an advertisement.



Permalink.


11:00am on Monday, 6th October, 2025:

Sir Gawain and the Green Knight

Anecdote

My CE317 classes were usually discussion-oriented. I'd present material and ask the students what they thought of it. Two classes, however, were "talking" ones, in which I would read a text out loud (using different voices for the different characters and adding occasional sound effects), and the students would follow it from a handout. I'd occasionally ask questions of them (chosen at random either by 1d20 or by shuffled playing cards) and sometimes they'd interrupt if they disagreed or wanted to ask me a question instead. At the end of the class, I would always ask the students if I should repeat the exercise the following year. Sometimes they voted that I shouldn't, so I didn't, but most often they voted for me to subject next year's cohort to the same material. What I'm about to show you here is perhaps the most positively-received of all my classes. It's like nothing else that the students were exposed to in a Computer Science department.

So, the class was (on the face of it) about the Hero's Journey, and what happens when it goes wrong. To illustrate it, I used the story of Sir Gawain and the Green Knight. Gawain makes one error in the Road of Trials, which means he fails. The Goddess then ignores him, as she knows he's failed, and although he tries to follow the path he's supposed to be following, he can't properly succeed. He gets a consolation Boon instead.

I had a much deeper reason for wanting to relate this, though. You can find out what it is at the end.

Hmm, I guess that means I should present the text (with my notes embedded [Like this.])

Here, then, is CE317 Class 08. There were some extra bits afterwards, for if I had some spare time to fill; I'll post those tomorrow, if anyone's interested.

Sir Gawain and the Green Knight

https://www.seancounley.com/gawain-green-knight



[Sir Gawain and the Green Knight is one of the greatest works of medieval literature. This synopsis was written for school children aged around 15 doing it for the equivalent of English Literature GCSEs. As such, it follows the plot (which is most important for us) but skimps on the detail.


An enormous amount of scholarship exists around this poem. An 1898 translation (by Jessie Weston) implies this, and we’ve had over 100 years more to add to it. It’s extraordinarily well-studied.


Sir Gawain and the Green Knight was written in the second half of the 14th century by the Pearl Poet, so called after another poem he wrote, Pearl (a meeting-with-the-goddess style Christian allegory). Two other poems, presumably by the same author, appear in the same document: one called Patience and one called Cleanliness (or Purity). The poem was written around the same time as the Canterbury Tales, but its English used is much harder for modern readers to understand as it’s in the dialect of NW Staffordshire or SE Cheshire.


The document containing these four poems is known as Cotton Nero A.x, and there’s only one extant copy of it. It’s in the British Library. Sir Robert Cotton bought up writings that came on the market following the dissolution of the monasteries, so that he could preserve them — something of an oddball idea at the time. It’s only thanks to him that we have the Lindisfarne Gospels and Beowulf. A fire in 1731 destroyed or damaged a quarter of his collection, which itself comprised only a fragment of what was lost when the monasteries were dissolved. It’s therefore fair to say that Sir Gawain and the Green Knight might be have been regarded in its time as a minor work of literature that we’ve only decided is important because it has survived to the present day.]


 


The original poem for this is 2,530 lines long in 101 stanzas (paragraphs) divided into 4 fitts (chapters — the word meant “conflict” or “struggle”), although we’re not sure if the fitt breakdown is the original or the work of the copyist. Five would make far more sense, as 5 was symbolic of eternity and incorruptibility (5 raised to any power still ends in 5); Gawain’s shield has a pentagram on it, the symbolism of which is explained for 46 lines in the full poem. Each fitt would be read on consecutive nights; in the interim, the audience would discuss what had happened previously and what might happen next, soap opera style.


It’s a Middle English alliterative romance (“romance” in the sense of a heroic quest). This means most lines don’t rhyme: they’re alliterative at the start and end, the first and last syllables are stressed, and the lines have a slight pause in the middle. For example, the first line is:


Since the siege and the assault / were ceased at Troy.


The stanzas end with a 5-line “bob and wheel”: the bob is a short, 2-syllable or so line; the 4 wheel lines rhyme, typically A B A B, often with alliteration within. It’s used to comment on the preceding stanza, and can summarise it, question it, explain it, or make any number of other meta-statements about it.]


 


Long ago, in a place called Camelot, the great King Arthur was celebrating Christmastide, a twelve day period of feasting and jubilation. [Most English medieval romances were set at Christmas; most French ones were set in Spring, before Easter.] Christmas Day had passed but there was still much feasting to come. Sharing the King's celebrations were the Knights of the Round Table, the most honourable men in all the lands. They were renowned far and wide for their bravery and gallantry. The youngest of these knights was Arthur’s own nephew, Sir Gawain.


[Gawain was the son of Arthur’s half-sister Morgause (or Anna) and King Lot of Orkney; Mordred was one of Gawain’s brothers.]


[Christianity was weakest at Christmas because that’s when the great pagan celebrations were held. A big thing was therefore made of Christmas celebrations, which explains why they went on for so long.]


All were in good spirits and looking forward to a mighty feast. The king raised his cup and, thinking of the entertainment to come, wished aloud that they might have some wonderful mystery or adventure to spice up the feast.


Before he had time to put his cup back on the table, the knights all gasped in astonishment as there rode into the hall the strangest man they had ever seen.


The visitor was extremely tall and his face was as fierce as his arms were strong. His red eyes glowered from beneath great bristly eyebrows and over his broad chest hung a green beard, as big as a bush. His coat, hood and hose were green as was his horse. The horse’s mane and tail were knotted with golden threads and bells. In one hand he held a green holly bough and in the other, a huge razor sharp axe. The axe handle was richly decorated in gold and green [Call to Adventure — discussed shortly].


[The holly bough was a sign of peace. He wasn’t wearing armour or anything, either. Green has several meanings in medieval literature, including poison, decay and witchcraft — all of which are alluded to in the poem, as it uses lots of wordplay and metaphorical connections. The strongest meaning for green was Nature; in combination with gold, it meant youth’s passing.]


The knights were dumbfounded. The king invited the stranger to join them at the table but he replied that he had not come to feast but to prove, once and for all, the courage of the famous fellowship before him.


“If it is battle you seek,” replied the king, “I will gladly accept your invitation.”


“No Sire,” said the Green Knight, “I come not to fight but to challenge.


[The challenge looks like a Call to Adventure, but it’s too overt — there’s no symbolism in it. It’s an event that’s setting up the problem to be solved. The symbolism of the green and gold of his axe is the real CTA: Gawain is being asked if his youth has passed, but he doesn’t recognise this. In the full version, the Green Knight offers his axe as a reward, explicitly drawing attention to it. The axe is the formal Boon that Gawain goes to get, although in this summarisation of the story we don’t see that. As it’s an axe, it suggests that Gawain’s destiny is to be a warrior.]


I want to know if any man here is bold enough to fetch one blow at me with this axe, on condition that, in a year and a day, he shall stand a blow from my hand.”


[A year and a day was the time limit for when death from a wound was murder or not. In the full version, the Green Knight doesn’t ask to be hit by the axe in particular, just to be hit — the knights merely assume he means by the axe. They could have just hit him with the holly bough.]


With that, he raised the giant axe above his head.


All the knights were silent [Refusal of the Call]; no one cared to offer him such an exchange of blows. The Green Knight looked scornfully around those assembled.


[The reason the knights were silent was because none of them wanted to stand out. It’s like when I ask a question in a lecture (or this class!) and no-one answers even though everyone knows the answer; they don’t want to look different to their peers. Here, Gawain’s failure to recognise the CTA aligns with the event setting up the problem.]


“Is this,” he sneered, “the court of which such mighty boasts are made?”


Stung by shame, the King cried out [Supernatural Aid] that he would take up the challenge.


[The shame is that none of his knights responded, not that he himself did not respond as he himself wasn’t challenged.]


“You will see,” said the King, “that we fear not your big words or [that should be “nor”] the sharp steel of your axe.”


The Green Knight sprang from his horse and put the axe in Arthur’s hand but the Knights pulled him away saying it was no adventure for a king.


“Grant me the chance,” begged Sir Gawain. The rash young man was keen to help his king. “This is a game for a young man to play.”


The others backed him and, reluctantly, Arthur withdrew his challenge.


“Nephew,” said the king, “take care that you put all your heart and strength in the stroke, so he can never repay you.”


The Green Knight smiled grimly. “It suits me well,” he said, “to take a blow from thee, but first you [if the summariser uses “thee”, this should be “thou”] must swear that you will seek me out in twelve months and a day, so I can give back what I received from you.”


[This is an important concept in this poem: the exchange. If I give this to you, you must give this to me.]


Sir Gawain gave his word and the giant pulled loose his hood and pushed aside his hair to expose his neck. Stroking his great beard he awaited, unconcerned, what was to come.


The young man grasped the heavy axe, heaved it high and delivered it with all the strength of his arm. Down came the razor sharp axe [Crossing the First Threshold, guardian defeated] on the brawny neck, sheering [that should be “shearing”] through skin and bone so the heavy head fell to the floor. But the giant stood firm and, without flinching, picked up his head and sprang on his horse.


[The Green Knight is acting as guardian here, which is unusual as he’s also the Father later on. Really, he shouldn’t be in the mundane world at all, although the fact he's in disguise and it's the Christmas season gives him a kind of permission because the barriers between worlds are thin.]


The king gasped in amazement, the queen screamed and the knights fell into a stunned silence. As he rode from the hall, head in his hands, his eyes fixed themselves on Sir Gawain.


“I have thy word,” he said. “Do not fail to seek me out; you will find me at the Green Chapel.”


The challenge became the talk of Camelot but, as the weeks went on, other concerns crowded in and the incident was put from most people’s minds. Sir Gawain, however, did not forget; for him the months rushed past.


Soon it was Lent, with its showers and buds, then the warm sun brought forth the flowers, next came the golden harvest and, all too soon, the grass died back, the mists returned and it was winter again.


The king knew his nephew must keep his promise and, on All Hallows, he prepared a great feast in his honour [Belly of the Whale]. The following day, as Sir Gawain rode from Camelot on his horse Gringalet, many of the women could not hold back their tears. No one expected to see the brave knight again.


[Gawain is being reborn as a dead man walking.]


In his search for the Green Chapel, Sir Gawain climbed many a hill and crossed many a marsh and river; he battled bears, wolves and serpents but kept travelling. It was a harsh winter and the brave knight often had to sleep in the open, pelted by sleet and rain. He stopped regularly to ask after the Green Knight but none had heard of such a man. Finally, on Christmas Eve, he found himself lost in a great mossy forest.


[This whole paragraph could be seen as the Road of Trials. The original goes into it in a bit more detail. However, the kissing stuff later is far more obviously a series of trials.]


He prayed that he may be guided to a place to rest. As he opened his eyes he saw, in the glow of the setting sun, a noble castle on a distant hill.


[Entering the castle could also be the Belly of the Whale, but he’s not really being reborn there except perhaps as a guest. It’s certainly part of the Other World.]


Spurring on his weary horse, he galloped towards the fortress.


The lord of the castle met Sir Gawain with a hearty welcome. He was a very tall and sturdy knight. Sir Gawain was shown to a beautiful chamber full of rich tapestries. After he had dressed in his best attire, he joined the Christmas gathering.


At the table was the lord, his beautiful lady, many knights and dames and, at the far end of the table, sat a wrinkled old crone.


For three days he enjoyed the festivities. Then he went to his host to say his farewells. He explained he must be on his way for he needed to find a place known as the Green Chapel. His host, however, assured him it was near at hand. Gawain was pleased to hear his journey was nearly at an end and readily agreed to stay for a further three days.


[The chapel is only 2 miles away, although the description later of getting there seems to be more than 2 miles.]


His host then offered to enliven proceedings with a pledge. He planned to go hunting the next day and offered to exchange what he got in the woods for whatever Sir Gawain received in the Castle. A puzzled Gawain said he expected to receive nothing but the pledge was sealed with a friendly toast.


[If the Lord had merely said he’d give Gawain the spoils of his hunt, that would have been a gift as it’s outside the bounds of normal hospitality. However, by couching it as an exchange (albeit, in Gawain’s view, of something for nothing), that means it’s not a gift so Gawain will not be in his debt.]


The next day the Lord went out early. Sometime later, whilst he was resting in his chamber, Sir Gawain received a visit from the Lady of the castle.


She did not hide her attraction to the young knight but he refused her advances. She would not go, however, without giving him a kiss. When the Lord of the castle returned with a venison, he gave it to Gawain according to their agreement. In return, a very embarrassed Gawain embraced his host and gave him a kiss [Road of Trials #1] (the only thing he had got that day).


[She’s tempting him, but not to go back to the mundane world. It’s a trial]


“Ha! Who gave you that?” said his host but Gawain laughed off the question and they sat down to supper.


[There is a deliberate parallel between the hunting and the seduction scenes. One is the chivalry aspect of his virtues, the other the courtly love aspect, about which more shortly. The deer is played for laughs as an opener; the boar is a hard fight (boars were as dangerous as an armoured knight) but successful; the fox is tricky and unpredictable, but is finally trapped (like Gawain is by the Lady), which is why it stinks. Note that it’s a boar, not a bear as in this translation]


The next day, at cock crow, his host again went hunting in the woods and once more his wife visited Sir Gawain in his chambers. Again he refused her advances but, before she left, she gave him two kisses. This time the Lord of the castle brought home a bear [no, a boar] and a goose. An extremely embarrassed Gawain embraced his host again and this time gave him two kisses [Road of Trials #2].


The next day dawned cold and clear, off went the Lord on his hunt and once more the wife came wooing her guest.


[In the poem, she’s dressed more ravishingly on this occasion than in previous seductions.]


This time she insisted on giving him three kisses and offered him her green silk girdle. When he refused, she said, “My knight, you must face many foes. This is a magic girdle [Road of Trials #3; he fails this one by accepting the gift and not telling the Lord (as then he’d have to hand it over, so couldn’t use it to save his life)]; it has the power to protect whoever wears it against any weapon.” Gawain’s love of life saw his resolve weaken, he knew he couldn't live without his head, so he accepted the gift.


[This scene looks as if it should be Woman as Temptress, but it’s still a trial. Gawain’s problem is that he has two conflicting virtues: chivalry (male-oriented) and courtly love (female-oriented). He is honour-bound to do whatever a lady asks of him, but also honour-bound to engage in fair play. She asks him to be deceitful, which is not fair play. He can’t possibly satisfy both goals at this point, so has been doomed to fail.]


[In the full story, she offers him her ring first but he refuses; rings were much more potent to medieval people than girdles. She offers the girdle as a substitute, its circular nature acting as a stand-in for the ring.]


He spent the rest of the day in the company of the old crone [Meeting with the Goddess, but because he’s failed the final trial she tells him nothing]. But he felt uneasy, it was as if her eyes could see right through him.


[The Meeting with the Goddess is not strong. There is no personification. In some summarisations of the story that are generally more detailed than this one, the crone isn’t even mentioned at this point.]


That evening the Lord brought home only a foul fox skin, which, he laughingly said, was a poor reward for the three kisses that Gawain give him.


Gawain’s heart was heavy, for the time was drawing near when he must leave the castle. He slept ill that night. As the cock’s crow heralded the new day, he dressed carefully, taking care to wrap around him the green girdle. He bade goodbye to his host and set out in into the dark stormy morning.


A bitter wind took his breath away. A servant had been provided to guide his way. Together they went by rugged cliffs and dark moor.


As the sun rose, the guide stopped short of a dale winding between two snow covered hills. The guide pointed to a road. “My Lord,” he said, “that is the road you seek but the one who dwells there lets no one pass alive. I beg you go another way, I will tell no-one, I promise [This is Woman as the Temptress, although in the story the guide is male]. I, for all the gold in the world, would not venture that way”.


With a heavy heart Sir Gawain refused the offer and set out down the road which soon became bordered with sharp banks.


Eventually he came to a crag and saw in front of him the overgrown mouth of a dark cave. He tethered his horse to a tree and went inside. Immediately, there was a fearful clattering of rock and standing in front of the young man was the huge figure of the Green Knight bearing an axe - his hairy head firmly back on his shoulders.


[Caves are normally found in the Belly of the Whale section, and you could regard this as the BotW for Gawain’s larger myth cycle. Medievalists have actually gone looking for this cave and have found some candidates to be it.]


“Welcome to my abode, you have timed your travels well,” said the Green Knight. “Now prepare to make good our bargain.”


Sir Gawain bravely removed his helmet and bent forward but, as the axe was raised, he could not help but flinch.


“Ha,” said the Green Knight, “he flinches before he is hurt.”


“When my head comes off I cannot put it back,” said Gawain. “But I gave my word and will not flinch again.”


Once more the giant brandished the axe.


“Strike and be done,” said Gawain. [Atonement with the Father]


“Have patience,” jeered the Giant and, for a third time, heaved the heavy axe up into the air. This time the knight did not flinch or cry out as the sharp axe whistled through the air and onto his neck splitting the skin.


It was a few moments before a stunned Gawain realised that, apart from a few drops [of] blood, he was unharmed. He turned to see, leaning on his axe, not the Green Knight but the Lord of the Castle.


[In medieval times, wounds were seen as outward signs of inner sin. He’s sinned a little, so he gets a nick.]


“My brave knight,” said the Lord, “I raised my axe three times for my wife’s three kisses. At my request, she came to see if you were a man of true honour. The cut on your neck is for the girdle that you took but did not exchange, as was our bargain. For that I let you feel how much sorer I could have struck.”


[The exchange of blows was for the exchange of winnings. There are many examples of medieval tales in which there’s a beheading game, and many in which there’s a seduction game. This is the only known example that draws parallels between the two.]


Sir Gawain stood confounded by his own weakness and the generosity of his host [Apotheosis]. Unfastening the girdle, he offered it to his host.


“Keep the girdle,” [The Ultimate Boon. This is not what Gawain went to collect — that was the axe. However, because he failed the Road of Trials, what he brings back to the mundane world is not what he needs, but what the mundane world needs of him: a reminder that even the best of men has faults.] said the Knight, “as a token of this adventure. The debt is cleared.”


The knight introduced himself as Sir Berblake. “Morgan le Fay, your own aunt, endowed me with the magic charms to challenge Arthur’s court,” he said. “She was disguised as the old crone you saw.” [Morgan le Fay is the sister of Gawain’s mother, along with Elaine; these three are Arthur’s half-sisters, his mother Igraine having been married to Gorlois, Duke of Cornwall, before Uther Pendragon.] He bid Gawain return to the castle to get better acquainted with his aunt but Gawain politely refused [Refusal of the Return — except that because he feels he failed, he actually wants to get back! He won’t know he’s differently-succeeded until he’s at Camelot and the knights show their solidarity], he had experienced enough magic for the moment.


[There’s no magic flight because he actually wants to go back. This is how the failure that was forced on him is playing out]


He made his way home [Crossing of the Return Threshold] and was greeted with great joy. The scar on his neck remained as the only evidence of his adventure.


As for the lady's green girdle, he wore it as a reminder [Master of the Two Worlds], should he ever get too proud, of his faint heartedness. And all the knights agreed, for Gawain’s sake [Freedom to Live], to wear also a green belt as, even the bravest man alive, they felt, would have shrunk from such a fate.


[The girdle goes from being protection to shame to honour — the spoiling and regenerative signifiers of green combined. This kind of reference and metaphor for the colour green happens throughout the poem.]


 


[I described the bob and wheel format at the start of this in some detail, because the reason I gave you this to read is in two parts. The stanza equivalent, which was the read-through looking at it from a Hero’s Journey point of view, would have worked for any number of myths — that’s the whole point of the Hero’s Journey. Indeed, I used to give two stories from the Arabian Nights which worked just fine. However, as it’s often more instructive to learn from mistakes, I decided instead to switch to an example of a failed Hero’s Journey, so students could see how the consequences of a failed step play out in later steps. There are plenty of examples of this, too, for example Actaeon’s spectacular failure of the Meeting with the Goddess step in Actaeon and Artemis. However I eventually chose Sir Gawain and the Green Knight because it has a special importance for us as game designers. This is now like the bob and wheel of the overall class.]


 


[The story here is about a game — the “Beheading Game”. There are many examples of this in Medieval literature, including some in the Arthurian legends (Lancelot participates in one) and some even involving Gawain (Sir Gawain and the Carle of Carlisle). Because it’s a game (every scholar in this field refers to it as a “beheading game”), that makes it all the more interesting from our point of view — especially as Gawain cheats in the exchange game in order to cheat in the beheading game and so feels doubly shamed as a result.


The Middle English word for game is gomen; it’s used 18 times in the poem. The Middle English for man is gome — it lives on in “bridegroom” and “Gomez” — and it appears 21 times; 15 of these are with reference to the Green Knight. This sounds as if it should be for alliterative purposes, but it’s not: it’s never used with Gawain, just the Green Knight. This tells the audience that the Green Knight is playing.


The poem contains a great deal of wordplay, with double- and triple-meanings common. The words gome and gomen are both very versatile, able to take on idiomatic meanings in certain circumstances (for example gome can have overtones of a warrior, husband, servant, even God; if it says “I’ll ask my man to do it”, you don’t know who “my man” might be). The audience would listen to the fitts on consecutive days and try to figure out the story’s true meaning. This means that the poem itself has puzzle elements; it can be (and frequently is) regarded as being a game played by the narrator on the audience.


As for what the “true meaning” is, well there are many ways to read it. As gamers, it looks to be saying that men treat life as a game, because life is a game. That’s why I selected it for this class.]





Permalink.


12:14pm on Sunday, 5th October, 2025:

Lanes

Anecdote

The leaves on the trees are starting to change colour, so here are some photos I took during the summer while out exploring on my bike.



Yes, I do rather like narrow lanes with trees that turn them into tunnels.



Permalink.


8:55am on Saturday, 4th October, 2025:

Gingerbread Decorating

Weird

"The kids love our kits for decorating gingerbread people."



"That's true, but sales drop significantly over Christmas. What can we do about it?"

(Thinks.)

"Got it! How about we rotate the gingerbread people a hundred and eighty degrees?"



"Then all we have to do is change the packaging..."



"...and voila!"

"Well, I've got to hand it to you! What an idea! No-one will ever notice."



Permalink.


7:41am on Friday, 3rd October, 2025:

Helpful Advice

Anecdote

I woke up this morning a little earlier than usual. My wife, who was already awake, told me "You don't have to wake up".

I know she was trying to be helpful, but have no idea why she thought that telling me, when I was awake, that I didn't need to wake up was actually helpful.

Little vignettes like this are why I married her.

(Well, that and the fact she was the prettiest girl I'd ever seen).



Permalink.


8:28am on Thursday, 2nd October, 2025:

Cats

Anecdote

We're up north in my home town today, taking our grandson to visit his great grandmother (my stepmother).

She likes cats.





Permalink.


7:51am on Wednesday, 1st October, 2025:

Short Back

Anecdote

I was going to get my hair cut on Monday, but my usual barber was shut. I tried again yesterday when I was in town, but they had some kind of special project going on and weren't free for another three and a half hours. I therefore tried a different barber.

I went with one from the Master Barber chain, which I mentioned back in July. Of the "Turkish, English, Romanian and Persian" barbers they have, I got a Persian (Iranian) one. He had a great story about how he snuck into England as a refugee (he's naturalised British now, so can talk about it without fear of being deported); this isn't about his story, though, it's about his haircut.

I knew I was in trouble when he started with a razor rather than scissors. The result is very professional, but it's about a month's growth shorter than I usually have and looks as if it's meant for a smaller head than mine. The back is the most alarming: normally, I have it cut to just above the collar.



I don't think it's been this short since I was born.

Oh well, at least I still have some hair to cut.



Permalink.


10:32am on Tuesday, 30th September, 2025:

Postbox Red

Anecdote

The postbox I showed last week has now become camouflaged.



Perhaps the Post Office hasn't removed it because it can't find it.



Permalink.


8:53am on Monday, 29th September, 2025:

Kagoul

Anecdote

Are kagouls still a thing?

They were around 25 years ago, when I got one (along with my wife and kids, as we were going on holiday somewhere that showers were likely — Chamonix, Malcesine, Disneyland, somewhere like that. Anyway, we barely used them and they've been sitting in a bag for the past quarter of a century or so.

Not any more! Well, not mine, anyway. I recovered it yesterday and have put it in one of my bike's panniers. That way, when I'm three miles from home and it suddenly starts to rain, I can recover it and smugly keep myself dry (the top half, at least).

This means I shall be carrying the extra weight of a kagoul around unnecessarily for ninety-nine days out of a hundred.

If only BBC weather forecasts told you what the weather was going to be, not what the weather was two hours ago.



Permalink.


8:50am on Sunday, 28th September, 2025:

Amazon Check

Anecdote

At the IGGI conference a couple of weeks ago, I chatted with one of the keynote speakers, Stefano Gualeni, and he mentioned a book he'd written, What we Owe the Dead. I really liked its experimental approach, so wrote a review.

I did an experiment of my own. I knew that Amazon held back reviews before releasing them, so it could review them itself. Did it, however, actually review the reviews?

I decided to add a minor grammatical error ("it's" instead of "its") to see if whoever or whatever did the reviews would pick it up.

They didn't. Maybe I'll insert a random "release the Epstein files" in my next review, to see if they pick that up. It could all be a bluff, of course, and they don't perform any reviewing at all.

Whatever, as a result, my review reads as follows:

"This is a superb experimental-format Science Fiction novel that really delivers on its promise. It somehow manages to draw the reader in through it's multi-level narrative, telling a detective story in an indirect fashion that nails the pacing and demands that you keep reading. Set in a flooded-Earth of the future, where people live in vast towers, the world-building is subtly expressed but powerfully realised. It treats the reader as an intelligent being. There are philosophical questions raised about (as the title suggests) what the living owe the dead, but they're not in-your-face. You're guaranteed to think about them, though, even if you disagree with the characters' opinions! It's not a book for people who like neat-and-tidy whodunnits, but it is a book for people who like their SF with a dash of philosophy. My one criticism is that the text is printed in a tiny typeface (the vertical on a lower-case p is 1.5mm), so if your eyesight isn't great you're going to need a magnifying glass. Well worth a read."

I guess if you bought the Kindle version, the text would be more readable.



Permalink.


10:11am on Saturday, 27th September, 2025:

Road Ahead

Anecdote

Another weekend expedition on my bike; another Road Ahead Closed sign.



I've learned over the years that you can go a long way by ignoring Road Ahead Closed signs. Of course, one time in ten you have to go an even longer way when it turns out that the road ahead is actually closed. I risked this one, and saw no closed road nor any further signs. Well, I did see a sign saying New Road Layout Ahead (which there wasn't).

I'm sure there's a homily in here somewhere about how ignoring perceived barriers in everyday life can get you further than would be the case if you meekly observed them. However, as it could also lead to a prison sentence, it's probably not the best advice.



Permalink.


9:55am on Friday, 26th September, 2025:

Going Digital

Outburst

So the Prime Minister wants to require everyone in the UK to have a digital identity card.

That means there'll be a database somewhere that records these and associates them somehow with living individuals.

I trust that the contents of this database will be made publicly available in their entirety, because it WILL be hacked, and I don't see why criminals and unfriendly foreign governments should be the only people who have access to it.



Permalink.


9:25am on Thursday, 25th September, 2025:

Game Game Game

Anecdote

One of the more popular classes I used to run in my CE217 Game Design module wasn't about game design at all: it was about production.
Game designers need to know something about how companies are organised and run, but this is boring. I therefore created a game that outlined the basic principles at an introductory level. It's called Game Game Game, and is played by students working in pairs (you can have larger groups but the game will take longer to play because they'll spend too long discussing what to do).

It's not a digital game. It takes place over the course of eight rounds, and students are given handouts at the start of most of them. There are some slides to present, which introduce what happens before each round and give players instructions on what to do next.

The narrative is that you've just been appointed as producer of a company called Game Game Game that will be building an MMORPG. You choose your leads, then how many staff to give them, then events happen as development proceeds. These are dependent on your choice of leads and your earlier responses to events. On the whole, the decisions that look important are important and the ones that don't aren't, but sometimes it's the other way round. Some bad events are the results of students' bad choices; some are the results of their good choices. There are also unforeseeable events that mean students who don't win don't feel too bad about it.

Game Game Game is rather dated now, so many of the numbers involved are too low (salaries, development times). I did have a student whose final-year-project was to make a general tool for creating these games (I have a second one that isn't as crisp as this one), but he didn't get very far. Still, the game continued to serve its original purpose. Well, it did until I stopped lecturing: now, it serves no purpose at all.

Here's one of the handouts:

I printed these particular ones out and laminated them, then cut them up so that students could more easily decide which one(s) they wanted to employ, and so I could re-use them from year to year. The non-people handouts were put for recycling once used.

Anyway, I've put it online so anyone who's interested in what I used to subject my students to can take a look. Feel free to adapt it or its concept to your own needs if you like. You can download the 9MB .zip file from https://mud.co.uk/richard/gamegamegame.zip.

The winning pair were given a box of chocs to share as a prize.



Permalink.


10:11am on Wednesday, 24th September, 2025:

Coburg Cousins

Weird

Me: If Princess Beatrice, daughter of Queen Victoria, had heard someone speaking with a German accent (other than her father), whom could it have been?

ChatGPT: Good question! Let's unpack this carefully.
...
So in short:
Her mother (Victoria) retained traces of a German accent.
Her sister's husband, Crown Prince Frederick of Prussia (later Emperor Frederick III).
Various Coburg and Prussian relatives visiting England.
German tutors, governesses, and musicians at court.
...

Me: I'd like the ones she interacted with between 1868 and 1872 if possible.

ChatGPT: Great — now we're in the heart of Beatrice's childhood.
...
If we narrow to the named individuals she most directly interacted with 1868-1872, the list is probably:
Queen Victoria (her mother, trace of German accent).
Crown Prince Frederick of Prussia ("Fritz") (her brother-in-law, strong German accent).
Ernest II, Duke of Saxe-Coburg and Gotha (uncle, German accent).
Vicky (her sister, slight Germanized speech).

Would you like me to trace a specific event/visit between 1868-72 where Beatrice definitely met Fritz, Vicky, or their children, so you can pin down an exact occasion of hearing German-accented English?

Me: Yes please, see if there's a specific event where she met Crown Prince Frederick of Prussia.

ChatGPT: I couldn't find any clear record (in the sources I checked) of a specific event between 1868-1872 where Princess Beatrice is documented as meeting Crown Prince Frederick of Prussia ("Fritz") at a named occasion.
...

Me: OK, well if not Fritz then how about one of the Coburg cousins?

ChatGPT: Upon reviewing Queen Victoria's journals from 1868 to 1872, I found no direct references to visits from Coburg cousins during that period. However, it's important to note that Queen Victoria maintained close familial ties with her Coburg relatives, and visits were not uncommon.

For instance, Princess Victoria of Saxe-Coburg and Gotha, Queen Victoria's first cousin, was a frequent guest at Osborne House and had a particularly close relationship with Queen Victoria. Additionally, the Duke and Duchess of Nemours, also Coburg relatives, were known to visit England during the 1860s. While specific visits between 1868 and 1872 are not documented in the available sources, it's plausible that such visits occurred during this time frame.

Me: Queen Victoria called her cousin Victoire. does that help?

ChatGPT: Apologies for any confusion in my earlier responses. Upon further research, I have found that Queen Victoria's cousin, Princess Victoria of Saxe-Coburg and Gotha, whom she affectionately called "Victoire," did indeed visit England during the period between 1868 and 1872. Princess Victoria was the daughter of Prince Ferdinand of Saxe-Coburg and Gotha, making her a first cousin to both Queen Victoria and Prince Albert.

Princess Victoria was married to Louis d'Orléans, known as the Duke of Nemours, and after the 1848 revolution in France, they went into exile and settled in England. They resided at Claremont House in Surrey, not far from Queen Victoria's residences. Queen Victoria and Princess Victoria shared a close relationship, often referring to each other as "dear sisters." Their bond was so strong that Queen Victoria described Princess Victoria as "like a dear sister"

While specific dates of Princess Victoria's visits to Queen Victoria between 1868 and 1872 are not detailed in the available records, the proximity of their residences and their close relationship suggest that such visits were likely.

Me: She died in 1857.



Permalink.


Latest entries.

Archived entries.

About this blog.

Copyright © 2025 Richard Bartle (richard@mud.co.uk).